Posts Tagged ‘printing’

So, I’ve been working on some more images for my taxonomy sets.

starting image of a house

This set begins with the same image, which I created from a photograph that I put through the Adobe Capture app using the shapes tool. I adjusted it some and took out some stray marks. With other images, I have used the lasercutter to make a woodblock and then printed from there (description of that process). With these, I printed from a regular document printer onto a variety of paper, mostly heavier art paper, but one image is one plain old copy paper. Then, I cut out the window spaces (they were very dark and distracting) and thought about what might replace the darkness.

The idea of not knowing what is behind windows and inside houses that we see from the street was interesting to me. What if the outside were inside? What if it was unexpected? What if some things (birds) were both inside and out? If I remember correctly, I was also thinking about the Crosby, Stills & Nash song “Our House.” I think the “two cats in the yard’ line got me thinking about what is behind the fence, but in the yard, and what if the things that are in the yard were inside instead…

Once I cut out the windows, I went my trusty miniature copy of Audubon’s Birds of America and started cutting. It is truly the book that keeps on giving. I thought we, the viewers, should also see that the birds’ habitat was behind the walls, so I put bits and pieces of the background scenery in the windows too. Finally, everything needs a little bit of sewing. I definitely need a sewing machine that allows for more free movement; I think I can get a plate to adjust my machine, but that is for another day.

So, here are the images. As is becoming a habit, the idea shifted a bit during the process. The first two were as described above. The sewing traces some of the lines of the siding and is in a color similar to the paper. The next two have larger images of nature behind the windows and the plants are kind of taking over the house. To me, they seem wilder, especially the fourth one with the sewing of the plant shape on top. I completed four of the five in more of a group and then set the group down for a bit. I was trying out different color paper and ran through the colors in my pack.

First. The Blue Grebe House. Subtle sky in the windows.

 

Next. I like the grasses in the windows and the magenta stitching.

 

Third. I return to the music score as background and nature starts to take over.

 

Ran out of my good paper, but added some free-form plant shapes in the sewing.

I then came back to the group and thought about fabric. Also, I was tired of cutting all those tiny windows and just got rid of the middle horizontal piece in each window. Rather than plants in the house, I used the music score as a background and painted it so that there was more difference between it and the house. Again, I added the birds, inside and out, and then noticed this deep purple velvet fabric. I like that it almost reads as a curtain, especially with the vertical zig-zag stitch. I also returned to the stitching at the fence line.

Final piece. The house as a barrier or dividing line is back.

It’s interesting to me that the final image has the house back in charge in some ways. Things aren’t busting out, nature isn’t all over, inside and outside may be unexpected, but they are distinct.

If I decide to continue with this idea, I have the image printed on vellum ready to go. The vellum would allow even more of an inside look at what’s behind the wall.

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So, I’ve been working on some more art. I do love spring break for making art. (This is part of my taxonomy project where I make sets of images.)

As I wrote before, I’ve been focussing on mixed media and collage type works which takes away some of the pressure on brushstroke or have as much control over mark making as I would like. What it does require is that I maintain a supply of raw materials. So far that has meant some or all of the following: contour line drawings, prints of various things (many of them on different papers and in different colors), other images that I think are interesting, bits of text, stamps, paint, ribbon, string, you name it.

For this set of works I used contour line drawings of plants, laser cut woodblock prints (of chairs and a fireplace), some cabbage prints (where I cut a cabbage in half, ink it right up, and print it onto various paper) and paint. I was really interested in building up layers of fairly simple images, although the original contour line drawing is not on plain paper, but on a musical score. The layering gave me the opportunity to trace over lines or hide them a bit. In the photographs, the layers are sometimes hard to see in the pictures, but it was a challenge to find the paper and color combinations that produced the effects that I wanted.  Most of the individual pieces did not have a lot of color, or were one color, yet I wanted colors in the final pieces. I tried out coloring background, image, or musical notes.

Here we go. There are five pieces, for the last one I have included a close up to try to show the colors and layers better.

The chair print, done on old airmail paper, covers a lot of the original drawing. The bird provided that extra layer I wanted.

 

Here the print also covers a significant amount of the background. It also has an addition of text on the chair.

 

Here there are several types of paper and printed pieces here. The chair was cut out around the edges, but there are also horizontal stripes of mulberry paper that do not have additional printed images. They are most obvious as they cover parts of the leaves.

 

The cabbage print is on top. of the contour line drawing and then the chair is cut out and added on top. The paper mutes some of the lines, but I drew them again on top of the cabbage.

 

The green in the plant only where it overlaps with the fireplace print really works for me.

 

The yellow cabbage print here with the magenta background is more visible in person. This close up gives a little more of an idea of the detail.

 

As I continue to reflect on my five-piece set idea, I notice that there are several outcomes for this experiment.

  • I really push to find those last pieces in the set.
  • The set stays fairly consistent there’s not a lot of variety.
  • It turns out there are many more than five pieces to be made in this set.
  • A small change becomes significant enough that I split the set and continue to work with until I reach my five pieces.

 

What I’m also finding is that often one work with initially still fit my group, but also suggest a new direction for another time. The last work in this set of images fits that description, and I think will form the jumping off point for more pieces that have both positive and negative spaces addressed through color.

So, I’ve been thinking about book art and printing. One of the things I have been doing for a while now if trying to make sets of 5 images/works/whatnot, my taxonomy project works.

Working in multiples has been a great option for me. When I do have make time to sit down and work on something, I know it’s not a one and done. This makes the individual item less precious, and therefore I don’t feel like I have to get it just the way I want the first time. I can, and have to, try out a number of different strategies and combinations. Super helpful. Not only do I create more, I also have an easy way to keep at a project without having to come up with an entirely new idea. Also helpful.

Since I am not really an artist, I tend to do a lot of putting things together, altering, mashup type stuff. Less pressure on the technical art skills. My latest set of images combines art and tech.

I started with an old book that had great paper, font, and feel to it. Do other people buy old books just for the paper and type, or is it just me? I’ve done a lot of different blackout poetry type things, so I wanted to do something different. I also happened to be cooking beets. The color is just too wonderful. I took the top where I sliced off the greens and stamped it on some pages of the book, like beet polka dots. Those images sat around my kitchen for a while. They were clearly not finished.

Next, as I wrote the other day, I have been experimenting with Adobe Capture. I am really intrigued by the pattern option where you can turn an image into a black and white block print looking image and slide the scale on the dark/light balance. I made a few patterns of chairs with the app. I cut the images with the school lasercutter and printed them (not only is my office pretty much in our beautiful new library, but I have a key to the makerspace, and it’s summer so no one else is in there).

I first printed the images on plain paper. But I got to thinking–several of the chairs were in the library at school. Library, books, book images, we sit in chairs and read, words are all around, AHA! I decided to print my chairs on my beet polka dot book pages.

I like the images in general. The beet color has faded quickly and now looks more like rings from a wine glass in some places. I’m ok with things I enjoy being used and showing signs of being well-loved. I use my grandmother’s tablecloth; it’s got some spots from her parties and some from mine. So, the red rings kind of remind me of that sort of familiar use (tablecloth, book, chair) that is part of the living of life and permanently marks objects in the process.

I have a few other sets in mind: one with chairs that mixes it up with the upholstered part of the chair, one with cabinets or containers and what they hold.

Any other ideas for sets and combinations?

So, I’ve been thinking about art and technology. In my fantasy life, I am an artist. In my real life, I an educator with access to a lot of technology and art supplies.

Recently I have been using Adobe Capture (the free app version) to create black and white images that I then cut into wood on the lasercutter and print. First, use the ‘shapes’ feature in Adobe Capture. I can use the sliding scale to determine how much black I want in the image. Below you can see the image I was using and how Adobe Capture transformed it.

Next I put the image into Adobe Illustrator, did the image trace, expanded it and deleted a few stray bits. Then I raster engraved that image onto wood using the lasercutter. I reversed the black and white so that the lasercutter cut away all the areas of white, leaving the raised portions the equivalent of the dark areas in the image. From there, I could ink the wood and print it on paper.

 

The question I have is, although the print is quite nice, I am wondering if it is art. I mean how much did I really do here? I found the chair sitting as is in my house. I did move some junk and maybe a cat off of it. I used the app to take a picture, cropped out what I didn’t want, used the slider to decide the black/white balance, which the app implemented. This is the hard part, in my opinion. I made minimal changes to the image. The lasercutter cut the wood. I inked the block and put the paper on.

I don’t know. I didn’t draw or cut the print image. I made minimal decisions about color and paper. I chose the amount of black and white, altered lighting a bit to get the pattern I wanted.

This makes me think of the picture book Seen Art by Joe Scieszka and Lane Smith. (Our main character ends up in the MoMA in New York and keeps asking if anyone has “seen Art?” Various people talk to him about the works in the museum including the helicopter that hangs from the ceiling, which the other museum patron recognizes for its engineering but admits some wonder if it is Art. Finally, our hero finds what he has been looking for–his friend Art.) As I think about this, I wonder if I can come to terms with this idea be taking into account the lower case or capital a in art. Maybe these prints (I have many more) are not capital A Art (said with deep, serious voice), but maybe they are small a art, which is probably about right for me.

So, I’ve been thinking about another set of works for my taxonomy project. I thought about works that combine sewing or embroidery with prints or photographs. I have pinned more than a few images that I have seen around the interwebs. This work is fascinating to me. I thought I would give it a try.

I had some old linoleum prints from many years ago that were sitting around looking for a purpose. Plus, I may have stumbled upon a few good deals at a local yarn shop before it moved. So, I had the raw materials. However, I found it hard to come up with an embroidery plan; I didn’t really want all of the stitching to be very literal; I wanted some of the stitching to be abstract patterns or designs. This turned out to be a lot harder than I thought. My first two attempts worked pretty well. To me, these images lent themselves to the addition of some amount abstract pattern in terms of the stitching. In my thinking, they are both reasonably successful for early attempts.

Photo on 2-7-16 at 1.04 PM

Linoleum cut printed on vellum, embroidery thread

Photo on 2-7-16 at 1.05 PM #3

linoleum print on vellum with wool embroidery

The next two images with the stitching that sort of continues the image are just not that compelling to me. I don’t think it’s impossible to create something that relates more to the image and is successful, but I haven’t done it here.

Photo on 2-7-16 at 1.05 PM

linoleum print on paper with embroidery thread

 

Photo on 2-7-16 at 1.05 PM #2

linoleum print on paper with mohair stitching (socks)

 

I got ready to post about this and realized that I had set my taxonomy set size at 5 and I only had 4 images. However, I did not really have another unique linoleum print handy. I did have a few other not-so-great prints of the first image so I tried it again; I came up with a new version.

final embroidery print

After even further reflection, I think I might try to incorporate the image a little with the embroidery. I might try it again with the string maybe going behind the one leg so that she figure is in the webbing and interacting with it as opposed to just behind it and totally separate.

This is definitely a format that appeals to me and that I want to pursue. It was really helpful to remember that I hadn’t met my goal number of objects; it made me go back to something I had put down.